HDMI Copper vs. Fiber; The Need For Speed in the 4K Era

I have exciting news to share about a new line of HDMI fiber optic cables called FīBBR TECH (pronounced “fiber”). It hit all my check-boxes in this category; Certified by ISF, thus far the only brand in the category worthy of that prestigious honor; the Best of CEDIA 2017 award from AVSForums, well known for their rigorous performance tests, and most importantly, high reliability in the field at spec. The most noticeable thing about the HDMI cable category is that at least half of the brands fail to meet the speed spec of 18 Gbps, you have to do your due diligence before you buy any 4K HDMI cable, copper or fiber.

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Essence For Hi Res Audio is now selling the Ultra Pro Series from FīBBR TECH and I’m happy to share my thoughts on the subject  This is an old debate; copper vs fiber, which is better and why? How far is too far on copper? Is fiber worth the extra money? 10 years ago I pioneered the PureLink HDMI fiber optic extenders for uncompressed 1080p at distances up to a mile. Large scale 1080p deployments, from digital signage on the Vegas Strip and Times Square, to command and control centers and broadcast networks, fiber optic was and continues to be the standard “best practice” for those long runs. 

2017 will be remembered for, among other things, the emergence of 4K + HDR / Dolby Vision with WCG (Wide Color Gamut) video and native 24/96K Hi Res Audio soundtracks. Today’s data-rich content has increased dramatically, reducing the distance these signals can travel over copper by 50%.  My post today is about whether using a copper HDMI cable of any length still makes sense or if it’s finally time to adopt HDMI fiber optics for all 4K sources and displays regardless of the length. The price for fiber optics has come down so its an option to consider when you buy your new 4K TV.  If you want the best 4K experience for your home theater or gaming system, fiber is the way to go for very good technical reasons. 18 Gbps is fast, the speed of light is way faster.

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In the previous generation of High Def video, the highest resolution was native 1080p from a Blu-ray disc. When we tested HDMI copper cables using the benchmark Eye Pattern Test, we discovered that HDMI over copper at 1080p collapsed the eye at 33 ft. resulting in a black screen. For distances above 30 feet for 1080p, fiber optic connections became the standard for the best performance. Distances under 33 ft can use copper and get decent results on 1080p. With 3 times more data, native 4K is much more challenging than 1080p.  HDMI v2.0a requires a new eco-system of sources, cables, DAC, and display for the new resolution to come through. Old HDMI cables will not work for 4K, they’re too slow.  HDMI v1.4 inputs and outputs on your AVR or PrePro wont either for 4K.

HDMI copper cables are rated for their impedance; the least expensive versions are 27 ohms, the medium priced versions are 24 ohms, and the most expensive high speed copper cables are rated for 21 ohms and sell for the highest prices. Cat 6 is rated at 23 ohms so its no panacea. Impedance is measurement of “resistance”,  how much the signal is impeded from reaching its destination intact. Anybody with an earlier generation projector or display found out through trial and error long ago that fiber was required for long distance transmission of native 1080p signals.​

The question we have to ask is, how much data is lost from this resistance at shorter distances and how does it effect the viewing experience? In other words, when did the degradation begin to set in? The answer will surprise you. Using un-compressed native 1080p signals, at 10 ft 15% of the data is lost through attenuation, at 20 ft 50% is lost, and by 33 ft, it’s all lost. The picture appears on screen but it’s not a one-to-one copy of the original signal. Overall brightness and contrast do not match the original. 

Comparison Test

In our blind AB tests comparing a 5 ft 4K HDMI copper cable (on the right) vs a 5 ft. 4K HDMI fiber optic cable, 10 out of every 10 consumers chose the fiber optic as the superior picture.  Fiber delivers better color depth, brightness, and contrast, a more faithful copy of the original signal. You can see in the pic above that the screen on the left is delivering the actual content whereas the image on the right is washed out and missing the tail of light at the bottom completely. This is the result of data loss, even though the picture is there, its not accurate.

Copper is prone to EMI, electromagnetic interference. Stray EMI in our homes is rampant from all our wireless devices and copper cables pick it up like an antenna. This interference is seen as noise in the picture, a grainy effect that’s not present in the original content. When you see a side-by-side comparison of copper vs fiber at as little as 5 ft distance, the effects of resistance and noise are clearly distinguishable. If you’re fussy about things like this like I am, you want to get it right.

At 16-20 feet on today’s highest speed rated 4K HDMI copper cable the native 4K picture fails completely; it shows 50% attenuation and grain at 8-10 ft, and 25% attenuation and grain at 5 ft. The old myth that copper is OK for HDMI as long as it’s a short run is no longer true. It may have been true in the last generation 1080p era but not now, those days are really over. You get a “less than optimal” picture at even at short distance on copper, not a true one to one copy of the original. 

Some manufacturers use Active HDMI copper cables adding in an amplifier that boosts the degraded signal so it can travel a longer distance. Beware of these, they add distance without improving the picture and run out of gas themselves, usually within 100 ft.

So lets look at the Eye Pattern Tests, they reveal a lot. The rule of thumb is, if there’s no eye, there’s no picture. The top panel is comprised of well-known name brand high quality 4K,18 Gbps copper HDMI cables at various short to moderate distances. They all fail above 20 ft. You see even at short distances, the eye is compressed, reduced in size; that’s what lost data looks like. You can see the 10 ft cable is almost out of gas, the 6.6 ft cable’s image is half gone, and at distances beyond 20 feet, its hopeless.

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And now lets look at Ultra Pro HDMI v2.0b Fiber Optic Series by FīBBR TECH in similar tests:

Fiber Optics have zero resistance because they use light waves over glass fibers to transmit the audio and video signals at the speed of light. The result is zero signal loss, a clean, wide eye pattern at all distances. If bandwidth and data speed are the issue, fiber wins hands down, nothing’s faster than the speed of light.  Fiber optic is immune to EMI so the picture is ultra smooth. Native 4K Movies always look their best, the added clarity and resolution enhance the gaming experience too. 

Starting at $139.99 for the 5 ft. for Ultra Pro Series by FiBBR TECH HDMI v2.0b 4K Fiber Optic cable, the line provides a wide array of lengths all the way to up 165 ft (50m). Take the next step with your 4K video system, step up to fiber optic transmission between your 4K sources and display or between your sources, audio system and your display.  The cost of entry to fiber optics is finally down to earth and just in time for the holidays. 

All interested parties should contact the US Distributor, Essence For Hi Res Audio, CEO Bob Rapoport can be reached at 727-580-4393 or by email at bob@essenceelectrostatic.com.

Link to product page

·4K video

·breakthrough design

·HDACC

·HDMi Fiber Optic Cables

·Hi Res AudioBOB RAPOPORT

Award-winning sales and marketing exec, consultant and product launch specialist to manufacturers of high performance audio / video products for consumer and professional applications. Holder of 2 patents for analog matrix surround decoding, winner of 12 CES Innovations Design & Engineering awards, recognized in the Who's Who of American Inventors, and the leading advocate for adoption of the Blu-ray audio standard for music and movies; currently the CEO of Essence For Hi Res Audio manufacturing the HDACC Upsampling 24/192K DAC Preamp, DPA-440 Class D Power Amp, and online marketer in the USA for Acoustic Energy, Ceratec, Core Power Technologies, REVO, Verisonix Headphones, and ARCHT One.